Friday, January 31, 2014

String Action



The Making:
High                                         Entwine
Low                                          Cross
Expand                                     Spacious
Interior                                     Restricting
Exterior                                    Advantage

         We wanted to take advantage of the entire room by pinning and stretching the yarn across the room, repeatedly. This helps create an experience for people with their entire body. Instead of walking around the work, one needs to go through a series of body motions to get across the room. We also took advantage of the pin up wall outside our room. We expanded the experience to the adjacent space outside the room. By doing this, it shows that a work does not have to be limited within a room, it can be augmented. We created a space not only with the physical boundaries (walls) that were already there, but with the strings.

The Moving:
Bending                                    Dancing
Lifting                                      Entrancing 
Ducking                                    Exiting
Avoiding                                   Stretching
Limbo                                       Turning



         Sandback's arts has taught me that when done properly, space can be manipulated. Sandback uses string as his instrument, and although it occupies little to no space it creates an illusion of occupied space. This idea led my group to string yarn across and outside of the room to manipulate one's experience and space. The strings tell people not to touch and as a result, to cross the room and out, one goes through a series of movement such as, stretching, turning, avoiding, bending and lifting. 












1 comment:

  1. Angela, You and your group did a lovely job with the Sandback experiment. Your group pushed the experiment the farthest of all three groups, and as a result you were able to extract the most spatial information from it. Your group is also really the only one to truly engage with your installation, as bodies, making the video compelling and also producing spatial insight into your installation for the viewer in a way the more static works do not. Your mind map is also very useful for understanding your approach to this, and I imagine it was a productive exercise for you and your project. Your inclusion of dance and choreography is right on, and this is precisely the kind of bodied spatial engagement that will help you as you develop your own architectural designs. Nice work!

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